
Birth:
Sept. 30, 1926 (Detroit, Michigan)
Death:
Aug. 11, 2011 (Tucson, Arizona)
Official Website:
None
Major Works:
Atoz (2000)
Time Flies (1997)
A Frog on the Swing (1989)
Swiss Army Knife with Rats and Pigeons (1980)
Lmno (1978)
Rubber Cement (1976)
Gulls and Buoys (1972)
69 (1968)
66 (1966)
Fist Fight (1964)
Breathing (1963)
Pat’s Birthday (1962)
Horse Over Tea Kettle (1962)
Blazes (1961)
Inner and Outer Space (1960)
Homage to Jean Tinguely’s Hommage to New York (1960)
Eyewash (1958-59)
A Man and His Dog Out for Air (1957)
Par Avion (1957)
Jamestown Baloos (1957)
Recreation II (1956-57)
Recreation I (1956-57)
Cats (1956)
Motion Pictures (1956)
Image by Images IV (1956)
Image by Images III (1955)
Image by Images II (1955)
A Miracle (1954)
Image by Images I (1954)
Form Phases IV (1954)
Form Phases III (1953)
Form Phases II (1953)
Form Phases I (1953)
Years Working:
1953 — 1959
1960 — 1966
Notes:
Started artistic career as a painter in Paris from 1949 to ’59.
Studied engineering at Stanford.
Produced segments on European art for David Brinkley’s Journal TV show.
Produced animated segments for The Electric Company PBS children’s show.
Teaches animation at Cooper Union in NYC.
1987: Recipient of AFI’s Maya Deren Independent Film and Video Artists Award.
Online Resources:
IMDB: Profile
Animation World News: Biography
Chicago Reader: Career Overview
Film Books About Robert Breer:
An Introduction to the American Underground Film by Sheldon Renan (E. P. Dutton & Co., Inc., New York, 1967) (Published simultaneously in Canada by Clarke, Irwin and Company, Limited, Toronto and Vancouver) (pp. 129-133.)
Video:
None
[...] Northwest Film Forum, that included a large retrospective on Bute’s work along with films by Robert Breer, Jordan Belson, Oskar Fischinger and more. (Their website for the screening series is where I found [...]
[...] Dara Birnbaum Robert Breer Ed [...]
[...] the films of his fellow avant-garde and experimental filmmaking peers, such as Jonas Mekas, Robert Breer, Bruce Conner and Stan [...]
[...] into motion and calls to mind early experimental film work by animators, particularly the work of Robert Breer.Given that Rostron places the figure of a canine in the center of his film, the easiest connection [...]