
Birth: Dec. 10, 1929 (Toronto, Ontario, Canada)
Official Website: None
Major Works: *Corpus Callosum (2002)
See You Later (1990)
So Is This (1982)
Two Sides to Every Story (1974)
<—> (1969)
Wavelength (1967)
New York Eye and Ear Control (1964)
Notes: Is also an accomplished musician, painter and sculptor.
Designed the massive “The Audience” sculptures that adorn two entrances to the Toronto SkyDome, now known as the Rogers Centre.
Other Resources: IMDB: Profile
Wikipedia: Profile
Jonathan Rosenbaum: Interview
Off Screen: Dossier
Maya Stendhal Gallery: Autobiography
Girish: Retrospective Review
Film Books About Michael Snow:
The Essential Cinema: Essays on the films in the collection of Anthology Film Archives, Volume One, ed. P. Adams Sitney. (New York University Press and Anthology Film Archives, 1975) (Chapter 11: Michael Snow’s Cinema (Wavelength, <——>, The Central Region), P. Adams Sitney, pp. 219-229.)
Video: Michael Snow interupted
[...] at Brown University, where I was exposed to a ton of underground/experimental films — from Michael Snow to Leslie Thornton to Jon Moritsugu. After a short time selling women’s handbags at a [...]
[...] We didn’t learn about the “underground,” and while I remember hearing about Michael Snow’s Wavelength, for example, in a classroom, we weren’t really specifically taught things [...]
[...] Michael Snow: Wavelength, 1967 <—->, 1969 La Region Centrale, 1970-71 (The Central Region) [...]
[...] the last few years of the Sixties and I got to add some new filmmaker names to the timeline, like Michael Snow and Yoko Ono, as well as include later works by filmmakers like Andy Warhol and Paul [...]
[...] are: Hollis Frampton, Paul Sharits, James Broughton, Chick Strand, Warren Sonbert, Storm de Hirsch, Michael Snow and Carolee Schneemann.But, I don’t want to bust on Renan too much about who he didn’t [...]